Italy's rich musical heritage, from Vivaldi to Morricone, has left an indelible mark on the world of music. This influence extends to the country's symphonic metal scene, which boasts an impressive roster of bands. Among them is Nefastis, a group that has evolved from their death/thrash roots to embrace a more symphonic sound.
Shadows at the Light of Dawn, their sophomore effort, showcases this transformation. While it retains traces of their thrash origins, the album primarily leans into the realm of symphonic melodeath. Nefastis' approach is more understated compared to the operatic grandeur of Fleshgod Apocalypse, opting for a blend that allows the melodic elements and orchestral arrangements to shine.
One of the standout tracks, "Tears of the Past," beautifully illustrates this. The song features a captivating melodic lead, enhanced by subtle string and flute arrangements, creating a captivating soundscape. Nefastis also showcases their neoclassical influences with impressive solos on tracks like "Cosmic Silence at the Edge of the New World" and "Seduced by the Beauty of Darkness."
However, the album's structure, interrupted by lengthy instrumental interludes, disrupts its flow. These interludes, appearing every three tracks, break the momentum and create a tonal inconsistency. "Absence of Illumination" and "Lights of Dawn" feel out of place, with the latter's uplifting synths clashing with the overall somber atmosphere. "Blackened Visions" takes this dissonance further with its soft piano composition, which seems more suited to a classical concerto than a death metal album.
This lack of continuity extends to the album's overall consistency. While there are brilliant moments, such as the thrash segments in "Stardust" and the fun parts of "Tears of the Past," they are often surrounded by more forgettable sections. The album's final two tracks, "Collapsing Dream" and "Flowers Swept Away by the Autumn," are particularly peculiar. "Collapsing Dream" starts strong but quickly becomes a bore, while "Flowers Swept Away by the Autumn" is an odd mix of chiptunes, synth-driven passages, and power metal riffs.
Nefastis' vocal approach is also an interesting choice. Simone Colombo's aggressive blackened rasps are a stark contrast to the softer female vocals often employed in symphonic metal. However, the unnamed female singer's brief appearance in the final two tracks adds a catchy element that hints at untapped potential.
Shadows at the Light of Dawn is an intriguing album, but it feels like a band still searching for its unique identity. With a more focused approach and a consistent style, Nefastis could create something truly special, especially with the mystery singer's voice at the forefront.
Rating: 2.0/5.0
Review by: [Your Name]
